Shaded Beige – For Softly Shadowing Light Skin Tones

PW6 + PY42 + PR264 + PBk31 – Opaque – Non-granulating

Shaded Beige is a soft and nuanced color, striking a perfect balance between warmth and neutrality. Composed of earthy pigments, it offers great versatility in watercolor, especially for painting skin tones and delicate shadows.

Scarlett Red

PR255 – Semi-opaque

A beautiful, bright red. When blended with white, it reveals a pinker undertone compared to Light Cadmium Red.ous red. More pinkish than the red cadmium light

Light Cadmium Red 

PR108 - Opaque

A symbol of passion and power, Light Cadmium Red is an essential shade for discerning artists. Its vivid, warm, and saturated hue brings a  unmatched intensity to the canvas. With exceptional pigment concentration, it offers flawless coverage and outstanding lightfastness.

This brilliant red reveals its full elegance in gradients, blends, and impasto techniques, always preserving its chromatic strength. 

Pyrrole red deep

PR264 – Transparent

Dark Pyrrole Red embodies both strength and subtlety in an intense red with deep, velvety undertones. Its rich, slightly crimson hue offers a contemporary alternative to traditional reds, with remarkable intensity and excellent lightfastness.

With a strong tinting strength, this red stands out for its transparency—perfect for vibrant glazing and nuanced layering.

Cadmium red deep

PR108 - Opaque

Dark cadmium red is a rich, deep, and warm color, highly valued in oil painting. Opaque and intense, it brings strength and depth to compositions while remaining lightfast. Ideal for warm shadows, skin tones, or powerful reds, it pairs well with earthy tones or complementary greens. 

Perylene red

PR179 – Transparent

Perylene red is a modern organic pigment, valued for its depth, transparency, and strong chromatic intensity. A deep red with ruby or garnet undertones, it offers a subtle alternative to more opaque cadmium reds.

Its transparency makes it an excellent choice for glazing, colored shadows, or layering effects, while maintaining excellent lightfastness. It blends harmoniously with blues, browns, or lighter reds to create subtle and refined tones.d brown, very beautifull for glazings.

Red Ochre

PR102 – Semi-opaque

Red ochre is a natural, earthy pigment—warm and deep—used since Antiquity. With its nuanced orange-red hue, it brings strength, softness, and warmth to compositions. Covering, lightfast, and non-toxic, it is ideal for landscapes, warm skin tones, or rich backgrounds. It pairs beautifully with other ochres, greens, and blues to create natural, balanced harmonies. A true essential on any classical palette.

English Red

PR101 – Opaque

English Red is a synthetic iron oxide pigment, deep and warm, with a reddish-brown undertone. Highly opaque, stable, and lightfast, it offers a matte texture ideal for backgrounds, skin tones (when combined with Old Yellow), and warm-toned landscapes. Its earthy richness allows it to blend harmoniously with ochres, greens, or blues, bringing balance and subtlety to compositions.y burnt orange.

Burnt Sienna

PBr7 – Semi-opaque

Burnt sienna is a natural pigment with warm, deep tones, obtained by calcining raw sienna.

With its rich reddish-brown hue, it brings warmth, balance, and strength to compositions. Highly stable, non-toxic, and with good covering power, it is ideal for shadows, dark skin tones, landscapes, and warm backgrounds. It blends harmoniously with blues, greens, and ochres. A timeless classic on every painter’s palette.deep and intense reddish brown has a high drying power. So, is excellent for making preliminary sketches with a very diluated first coat.

Raw Sienna

PBr7 – Semi-opaque

Raw sienna is a classic mineral pigment with warm, soft, earthy tones. Its luminous yellowish-brown hue makes it ideal for skin tones, landscapes, and underpainting. Stable, non-toxic, and with good drying power, it dries quickly—perfect for sketches or compositional bases. It blends harmoniously with blues, greens, and reds to create natural, balanced mixes. A discreet yet essential staple on any painter’s palette. is darker than yellow ochre but has the same undertone.
This natural earth produces outstanding transparency effect.

Raw Umber

PBr7 – Semi-opaque

Raw umber is a traditional earthy pigment with a deep brown tone and a slight greenish cast. Very stable, non-toxic, and with good covering power, it is ideal for soft shadows, underpainting, landscapes, and textured effects.

Its low saturation allows for subtle color modulation without overpowering mixes. It blends easily with blues, reds, or ochres to create natural, balanced tones. An essential for creating calm, harmonious compositions.

Burnt Umber

PBr7 – Semi-opaque

Burnt umber is a natural pigment with deep brown tones enriched by a warm, slightly reddish hue. Highly covering, lightfast, and non-toxic, it is ideal for shadows, dark backgrounds, landscapes, and warm skin tones.
It has good drying power, making it an excellent choice for underpainting or quick sketching. It blends harmoniously with blues, greens, and reds to create natural and balanced mixtures.

Transparent Mars Red

PR101 – Transparent

Transparent Mars Red is a synthetic iron oxide with a warm, intense, and deep red-brown hue.
Its transparency makes it ideal for glazing, colored shadows, rich skin tones, or vibrant backgrounds.
Highly lightfast, non-toxic, and with strong tinting strength, it allows for nuanced layering and subtle blends with blues, greens, or ochres.
A versatile color, it is prized by artists seeking warmth and transparency without overwhelming opacity.

Mars Brown

PR101 – Opaque

Mars brown is a synthetic iron oxide pigment offering a deep, dense, and highly saturated reddish-brown hue. It stands out for its excellent covering power, lightfastness, and non-toxicity.
More intense and purer than natural earth pigments, it allows for warm shadows and rich mixtures with blues, greens, or ochres. A strong, modern, and reliable brown.

Van Dyck Brown

PR101 + PBk11 – Opaque

Van Dyck Brown is a deep, dark brown made from a blend of iron oxide red (PR101) and iron oxide black (PBk11). It captures the richness of the historical browns used by the Flemish masters. Ideal for shadows, dark backgrounds, fabrics, or dramatic compositions, it offers excellent stability and strong intensity.

It blends harmoniously with ochres, blues, and reds to create subtle, nuanced effects. A must-have on any traditional palette.nse cold brown with a violet shade.

Sepia

PR101 + PBk11 + PBr7 – Opaque

Sepia is a warm, deep, and elegant brown, inspired by natural cuttlefish ink. This oil version, made from a blend of iron oxide red (PR101), iron oxide black (PBk11), and natural earth (PBr7), offers a rich hue with warm undertones.

Ideal for sketching, backgrounds, moody landscapes, or chiaroscuro portraits, sepia stands out for its smooth handling, excellent lightfastness, and its ability to create soft, muted, and timeless atmospheres

Transparent Mars Red - A Rust Effect

PR101 - Transparent - Non-granulating

Transparent Mars Red is a rich, earthy red, ideal for uniform, warm, and deep washes, while ensuring excellent permanence and great light stability.

 Mars Brown light - A Versatile Brown

PR101 - Opaque - Non-granulating

Mars Brown Light is a rich, earthy hue, highly valued in painting for its versatility and ability to create natural, deep tones. Derived from iron oxide, this pigment offers a warm color and is extremely stable. For watercolor artists seeking uniform washes, Mars Brown may be preferred over natural earth pigments. 

Cadmium red deep - An Intense Bordeaux

PR108 - Opaque - Non-granulating

Cadmium red deep in watercolor is a powerful and versatile color, perfect for works requiring intense and durable reds. It shines both in mixes and when used on its own.l dark red tending to burgundy.

Pyrrole red deep - A Deep Red

PR264 - Transparent - Non-granulating

Dark Pyrrole Red in watercolor is an intense and vibrant hue, offering excellent transparency and high lightfastness, perfect for creating vibrant mixes and warm tones.

With a little burnt umber, it is perfectly darkened and you easily get a crimson alizarin shade.

Isaro Pyrrole Red - A Poppy Red

PR254 - Transparent - Non-granulating

Isaro Pyrrole Red is a vivid and intense red, offering brilliant luminosity and excellent permanence, perfect for vibrant touches and rich mixes in watercolor.l red, lively and bright with an underlying note colder than Scarlett red.

Scarlet Red – An Essential Red

PR255 - Transparent - Non-granulating

Scarlet Red is a vibrant and intense hue, characterized by its richness in reddish and slightly orange tones, perfect for adding warmth and brightness to your watercolor compositions.

Cadmium Red - An Opaque Red

PR108 - Opaque - Non-granulating

Cadmium Red Light offers a vibrant and luminous hue, perfect for adding warm and vibrant touches to your artwork, while ensuring exceptional permanence and lightfastness.has a great purity of tone. It draws very slightly on the yellow.

Raw Umber - An Authentic Color

PBr7 - Semi-transparent - Granulating

Raw Umber is ideal for creating soft shadows and earthy tones while adding depth and harmony.with a green shade that characterizes real natural shade earth. I draw attention to the fact that this gray earth is naturally very little coloring.

Van Dijck Brown  - A Rich Color

PR101 + PBk6 - Opaque - Non-granulating

Van Dijck brown is a rich and deep pigment, perfect for creating subtle shadows and warm atmospheres, while offering great lightfastness and excellent coverage.

Sepia – The Softness of a Warm Brown

PBK11 + PBK6 + PR101 + PY42 - Opaque - Non-granulating

Sepia, with its warm and deep tones, is ideal for creating shadows or earthy hues, realistic portraits, monochromes, and natural landscapes.tiful very dark brown, almost black. Very useful for contrasts. Can be obtained on the palette by mixing smoke black with mauve iron oxide and ocher or natural Sienna.

English Red - A Shade of Character - PR101 - Opaque 

English Red is a rich hue perfect for creating deep shadows, realistic portraits, or autumn landscapes. It offers excellent permanence and great versatility in mixing.

Dark and warm bBurnt Umber Watercolor - An Essential Hue for Your Artistic Palette

Burnt umber offers deep, warm tones, perfect for creating subtle shadows, natural textures, and rich, warm atmospheres.rown. Interesting color for dark your shades.

Venetian Red is a powerful shade, offering the rich tones of a deep, earthy red.

Inspired by natural pigments used for centuries, this iron oxide is opaque and delivers a deep intensity at full saturation. When diluted, it can be worked transparently, creating beautiful gradients. watercolorists.

Burnt Sienna in watercolor is a warm, earthy pigment that adds depth, richness, and versatility to any composition, perfect for shadows, landscapes, and natural tones.