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Titanium white

Titanium white

€8.95

Titanium White

PW6 – Opaque

Titanium white is today the most widely used white in oil painting. With exceptional opacity and very high covering power, it provides a pure, cool, and brilliant white. It is ideal for creating luminous mixtures, sharp highlights, or strong light effects.

Its creamy texture allows for easy application in both impasto and thin layers. Lightfast, stable over time, and non-toxic, titanium white is an essential part of the modern palette. However, due to its strength, it can overpower delicate colors; it is often blended with zinc white for more subtle handling. very pure cool soft white. It's highly regarded by artists.

Zinc white

Zinc white

€8.95

Zinc White

PW4 – Semi-transparent

Zinc white is a mineral pigment known for its transparency, delicacy, and subtle coolness. Less opaque than titanium white, it allows for gentle layering and luminous blends without overpowering other colors. It is ideal for glazing, soft light effects, and delicate skin tones.

Very slow-drying, it accepts the addition of drying agents, but also allows for extended working time on a canvas over several weeks. withe. It's excellent for mixtures and glazes

Ancient white

Ancient white

€16.90

Ancient White

PW4 + PY35 + PB29 – Opaque

Antique White is a soft, warm cream white created through a subtle blend of zinc white, cadmium yellow, and a touch of ultramarine blue. Its slightly ivory tone evokes the patinated whites of old master paintings. Less bright than a pure white, it allows for more natural blends—especially for skin tones, soft lighting, and warm atmospheres.

Payne's grey

Payne's grey

€5.45
Size

Very nice cold, deep gray, turning bPayne’s Grey - A Textured Grey

PBK11 + PB29 + PB15 - Opaque - Granulating

This hue, due to its harmonious nature and mixing potential, remains a top choice for watercolorists seeking refinement and delicacy in their compositions. It allows for subtle contrasts, making it ideal for working on stormy skies, nocturnal landscapes, and creating atmospheric gradients.lue. Useful as a contrast color.

Isaro grey light

Isaro grey light

€5.45
Size

Isaro grey light - A Subtle Softness

PR101 + PG17 - Semi-transparent - Non-granulating

Isaro grey light is a soft and luminous shade, ideal for subtle backgrounds, light shadows, and delicate gradients. With its smooth texture and transparency, it helps create calming atmospheres while adding depth to compositions without weighing them down. Perfect for watercolorists seeking discreet and refined nuances and drapes.

Payne's grey

Payne's grey

€8.95

Payne’s Grey

PBk11 + PB29 – Opaque

Payne’s Grey is a subtle blend of iron oxide black and ultramarine blue, offering a rich and nuanced alternative to pure black. With its deep, slightly cool blue-grey tone, it is ideal for colored shadows, stormy skies, nocturnal atmospheres, or muted portrait tones.

More vibrant than a standard black, it retains a touch of transparency and blends harmoniously with other colors. An essential for a well-balanced and expressive palette.

Titanium beige

€7.35
Size

Beige Titanium – A Modern Hue

PW6:1 - Opaque - No granulating

Discover the subtle sophistication of Beige Titanium. With its delicately warm grey-beige tone, this color is perfect for creating soothing atmospheres, neutral shades, or refined textural effects

Titanium white

€5.45
Size

Very interesting Color to create "pastel" touch by mixing with other colors.