Titanium White

PW6 – Opaque

Titanium white is today the most widely used white in oil painting. With exceptional opacity and very high covering power, it provides a pure, cool, and brilliant white. It is ideal for creating luminous mixtures, sharp highlights, or strong light effects.

Its creamy texture allows for easy application in both impasto and thin layers. Lightfast, stable over time, and non-toxic, titanium white is an essential part of the modern palette. However, due to its strength, it can overpower delicate colors; it is often blended with zinc white for more subtle handling. very pure cool soft white. It's highly regarded by artists.

Pinkish Beige – Subtlety and Radiance of Skin

PW6 + PR264 + PY42 – Opaque – Non-granulating

Pinkish beige is a delicate and subtle hue that combines the warmth of beige with a hint of pink, offering a soft and natural color. Ideal for skin tones in watercolor, it allows for finely rendered variations, from fair complexions to deeper shadows, by blending it with other pigments.

Zinc White

PW4 – Semi-transparent

Zinc white is a mineral pigment known for its transparency, delicacy, and subtle coolness. Less opaque than titanium white, it allows for gentle layering and luminous blends without overpowering other colors. It is ideal for glazing, soft light effects, and delicate skin tones.

Very slow-drying, it accepts the addition of drying agents, but also allows for extended working time on a canvas over several weeks. withe. It's excellent for mixtures and glazes

Powdery Beige – The Elegance of Softness

PW6 + PR122 + PY42 – Opaque – Non-granulating

Powdery Beige is a delicate and subtle shade, perfect for adding softness and luminosity to watercolor works. Crafted from a refined blend of pigments, it offers a warm, slightly rosy hue, making it ideal for skin tones.

In watercolor, this shade is particularly valuable for portrait painting, allowing for smooth and refined skin tone transitions. Combined with a touch of Burnt Sienna or Isaro Rose, it enhances complexions with natural depth and delicacy.

Ancient White

PW4 + PY35 + PB29 – Opaque

Antique White is a soft, warm cream white created through a subtle blend of zinc white, cadmium yellow, and a touch of ultramarine blue. Its slightly ivory tone evokes the patinated whites of old master paintings. Less bright than a pure white, it allows for more natural blends—especially for skin tones, soft lighting, and warm atmospheres.

Coral Rose – The Harmony of Floral Compositions

PW6 + P073 + PV19 – Opaque – Non-granulating

Coral Rose is a vibrant and warm shade that lies between pink and orange, evoking the glow of sunsets and the delicacy of tropical flowers. This luminous pigment brings a touch of freshness and energy to artworks while remaining soft and harmonious.ry discreet and interesting pink especially to bring softness to certain floral compositions.

Beverly Pink – An Exceptional Pearlescent Pink

PR122 + Pearlescent – Semi-transparent – Non-granulating

Beverly rose is a luminous and refined shade that combines the delicacy of pink with a subtle pearlescent glow. Its transparent texture and slight iridescence make it an ideal choice for adding softness and brilliance to floral compositions, twilight skies, or pearly effects in portraits.

Austral Pink – A Radiant Twilight Glow

PR122 + PB29 + Pearlescent – Transparent – Granulating

Austral rose is a captivating shade that captures light beautifully with its pearlescent effect. Its luminous brilliance and subtle pink-mauve hue make it an ideal color for adding brightness and depth to unique compositions. In watercolor, this vibrant pink stands out for its ability to create original blends.

Powder Pink – Softness and Elegance

PR122 + PW6:1 – Opaque – Non-granulating

Powder Pink is a delicate and refined shade, perfect for adding a touch of softness and subtlety to watercolor compositions. Inspired by the pastel hues of flower petals or the velvety feel of antique fabric, this slightly muted pink is ideal for romantic atmospheres and gentle light effects.

 Isaro Pink – Dynamism and Brightness

PR122 - Transparent - Non-granulating

Isaro Pink is a vibrant and essential shade, perfect for bringing freshness and delicacy to watercolor compositions. This pigment captivates with its transparency and beautiful luminosity, allowing for harmonious gradients and captivating light effects.mixtures and in particular to compose, with the blues, a large number of mauves.

Rose d’Outremer – Softness Under the Brush

PR259 - Semi-transparent - Granular

The Rose d'Outremer is a very soft and subtly textured hue that captivates with its gentleness. This pigment, a rose with slightly violet undertones, offers a rich chromatic quality, making it ideal for floral compositions.k especially to bring softness to certain floral compositions.

TIsaro rose

PR122 – Transparent

Isaro Pink, made from the quinacridone pigment PR122, is a luminous, intense, and transparent hue, highly valued for its purity and refined chromatic subtlety. A vivid pink with slightly violet undertones, it offers excellent lightfastness and remarkable long-term stability.

Thanks to its transparency and brilliance, this pink is ideal for glazing and subtle color blending. When combined with blues such as cobalt blue, ultramarine, or phthalo blue, it produces a beautiful range of mauves and violets—either vibrant or delicate—perfect for rendering flowers or colorful shadows.

Versatile and elegant, Isaro Pink PR122 is an essential choice for artists seeking poetic and vibrant tones.

Quinacridone Carmine - A Radiant Pink

PR202 - Transparent - Non-granulating

Quinacridone carmine provides a deep, rich hue that is both luminous and transparent, perfect for creating intense effects and subtle nuances in watercolor works.

Beige Titanium – A Modern Hue

PW6:1 - Opaque - No granulating

Discover the subtle sophistication of Beige Titanium. With its delicately warm grey-beige tone, this color is perfect for creating soothing atmospheres, neutral shades, or refined textural effects

Very interesting Color to create "pastel" touch by mixing with other colors.