Shaded Beige – For Softly Shadowing Light Skin Tones

PW6 + PY42 + PR264 + PBk31 – Opaque – Non-granulating

Shaded Beige is a soft and nuanced color, striking a perfect balance between warmth and neutrality. Composed of earthy pigments, it offers great versatility in watercolor, especially for painting skin tones and delicate shadows.

Ancien yellow

PW4 + PY35 + PO20

A pinkish yellow, very close to Naples Yellow but without its toxicity. It is composed of zinc white and cadmium yellow.
Ideal for rendering skin tones.
Its zinc white content, like that of Old White, makes it slow-drying, allowing for extended work on a canvas over several weeks.

Perfect for skin tones.

Cadmium Lemon Yellow

PY35 – Opaque

It has excellent covering power and absolute permanence over time. Our cadmium lemon yellow is a hue very close to primary yellow.

The precise selection of our cadmiums allows for a continuous chromatic range, from the lightest yellow to the deepest red, using only six tones.
Cadmium pigments blend perfectly with one another, without any loss of intensity.

It offers exceptional and unmatched covering power and brilliance.ghly luminous yellow is an ultra-pure colour with a touch of green. This cadmium yellow lemon is a yellow much akin to primary yellow. 

Hansa Yellow

PY154 – Transparent

PY154 is a modern organic pigment, bright and warm, with a slight orange undertone. Valued for its purity of tone, transparency, and excellent lightfastness, it is an ideal alternative to more opaque cadmium yellows.

Versatile and easy to use, it works beautifully in glazes and subtle blends. It creates vibrant greens when mixed with blues, and luminous oranges with reds. Its brilliance and chromatic finesse make it a top choice for artists seeking an intense, stable, and non-toxic yellow. luminous transparent yellow with the same hue of the cadmium yellow light. Mixed with phtalo green,phtalo blue or indantrene blue, we obtain a interesant range of Transparent green. Mixed with titanium white the result is a very luminous and Opaque light yellow.

Cadmium Yellow Light

PY35 – Opaque

This is a brilliant yellow, very bright and of exceptional tonal purity.
It has excellent covering power and absolute permanence over time.
The precise selection of our cadmium pigments allows for a continuous chromatic range—from the lightest yellow to the deepest red—using only six tones.
Cadmiums blend perfectly with each other, without any dulling of their tones.

It's a good glazinA beautiful orange-yellow, ideal for glazing.g colour with a beautifull orangey yellow hue.

Cadmium Yellow Deep

PY35 – Opaque

Cadmium yellow deep is a rich, warm, and intense pigment with a slight orange undertone. It stands out for its high covering power, excellent lightfastness, and strong chromatic depth.

Ideal for warm highlights and sunlit landscapes, it blends beautifully with reds, ochres, or blues to create vibrant and balanced mixes.

Its dense, creamy texture makes it a top choice for both impasto and thin layers. A must-have for artists seeking a powerful, lasting, and expressive yellow.

Burnt Sienna

PBr7 – Semi-opaque

Burnt sienna is a natural pigment with warm, deep tones, obtained by calcining raw sienna.

With its rich reddish-brown hue, it brings warmth, balance, and strength to compositions. Highly stable, non-toxic, and with good covering power, it is ideal for shadows, dark skin tones, landscapes, and warm backgrounds. It blends harmoniously with blues, greens, and ochres. A timeless classic on every painter’s palette.deep and intense reddish brown has a high drying power. So, is excellent for making preliminary sketches with a very diluated first coat.

Raw Sienna

PBr7 – Semi-opaque

Raw sienna is a classic mineral pigment with warm, soft, earthy tones. Its luminous yellowish-brown hue makes it ideal for skin tones, landscapes, and underpainting. Stable, non-toxic, and with good drying power, it dries quickly—perfect for sketches or compositional bases. It blends harmoniously with blues, greens, and reds to create natural, balanced mixes. A discreet yet essential staple on any painter’s palette. is darker than yellow ochre but has the same undertone.
This natural earth produces outstanding transparency effect.

Raw Umber

PBr7 – Semi-opaque

Raw umber is a traditional earthy pigment with a deep brown tone and a slight greenish cast. Very stable, non-toxic, and with good covering power, it is ideal for soft shadows, underpainting, landscapes, and textured effects.

Its low saturation allows for subtle color modulation without overpowering mixes. It blends easily with blues, reds, or ochres to create natural, balanced tones. An essential for creating calm, harmonious compositions.

Burnt Umber

PBr7 – Semi-opaque

Burnt umber is a natural pigment with deep brown tones enriched by a warm, slightly reddish hue. Highly covering, lightfast, and non-toxic, it is ideal for shadows, dark backgrounds, landscapes, and warm skin tones.
It has good drying power, making it an excellent choice for underpainting or quick sketching. It blends harmoniously with blues, greens, and reds to create natural and balanced mixtures.

Mars Brown

PR101 – Opaque

Mars brown is a synthetic iron oxide pigment offering a deep, dense, and highly saturated reddish-brown hue. It stands out for its excellent covering power, lightfastness, and non-toxicity.
More intense and purer than natural earth pigments, it allows for warm shadows and rich mixtures with blues, greens, or ochres. A strong, modern, and reliable brown.

Van Dyck Brown

PR101 + PBk11 – Opaque

Van Dyck Brown is a deep, dark brown made from a blend of iron oxide red (PR101) and iron oxide black (PBk11). It captures the richness of the historical browns used by the Flemish masters. Ideal for shadows, dark backgrounds, fabrics, or dramatic compositions, it offers excellent stability and strong intensity.

It blends harmoniously with ochres, blues, and reds to create subtle, nuanced effects. A must-have on any traditional palette.nse cold brown with a violet shade.

Sepia

PR101 + PBk11 + PBr7 – Opaque

Sepia is a warm, deep, and elegant brown, inspired by natural cuttlefish ink. This oil version, made from a blend of iron oxide red (PR101), iron oxide black (PBk11), and natural earth (PBr7), offers a rich hue with warm undertones.

Ideal for sketching, backgrounds, moody landscapes, or chiaroscuro portraits, sepia stands out for its smooth handling, excellent lightfastness, and its ability to create soft, muted, and timeless atmospheres

 Mars Brown light - A Versatile Brown

PR101 - Opaque - Non-granulating

Mars Brown Light is a rich, earthy hue, highly valued in painting for its versatility and ability to create natural, deep tones. Derived from iron oxide, this pigment offers a warm color and is extremely stable. For watercolor artists seeking uniform washes, Mars Brown may be preferred over natural earth pigments. 

Indian Yellow - A Historic Hue

PY154 + PO73 - Transparent - Non-granulating

Indian Yellow, with its warm and luminous tone, is a transparent and versatile color, perfect for adding brilliance and depth to your watercolor paintings.arm and bright yellow, very beautiful in wash for example.

Isaro yellow deep– A Warm Hue

PY154 + PO73 - Opaque - Non-granulating

Isaro Dark Yellow is a bright, orange-tinged yellow. This warm yellow is perfect for capturing the richness of sunsets and autumn foliage.an add light Isaro yellow to a range of Indian yellow.

Cadmium Yellow Deep: The Golden Glow

PY35 - Opaque - Non-granulating

Cadmium yellow deep is a vibrant and intense color, offering deep golden hues.

Its more marked opacity than organic yellows (Isaro Yellow light, dark and Indian) can hold back its use, however well mastered it is quite magnificent. 

Saffron Yellow – The Golden Glow

PY110 - Transparent - Non-granulating

Saffron Yellow is a bright and warm hue, offering an intense and brilliant golden color, perfect for adding a touch of light and warmth to your artwork. With a beautiful transparency, this yellow allows you to obtain a very beautiful range of greens with Prussian blue and Phthalo blue for example. With yellow phthalo green (PG36) it allows you to easily compose the shades "bladder green" and "Hoocker green"

Cadmium Yellow Light: A Vibrant Hue

PY35 – Opaque – Non-Granulating

Cadmium yellow light, bright and intense, is a brilliant pigment with exceptional permanence, perfect for bringing light to your watercolors with vibrant mixes. purity of tone.

Cadmium Yellow Lemon: Pure Brightness

PY35 – Opaque – Non-Granulating

Cadmium yellow lemon is a vibrant and intense pigment, ideal for creating luminous mixes.
It offers excellent opacity and outstanding lightfastness.

Its slightly cool tone makes it the perfect choice for capturing sunlight and light foliage.llow with underlying shade of green, very bright and bright yellow.

Isaro yellow light - Primary Yellow

PY154 - Transparent - Non-granulating

Isaro yellow light is a delicately luminous hue, perfect for capturing the softness of spring light, vibrant flowers, and sunlit skies, all while offering unparalleled transparency and subtlety.

A must-have on your palette. Darker shade than lemon cadmium yellow. Luminous and bright yellow. Useful as primary yellow. It is one of the essential colors on the palette of a watercolorist.

Chartreuse Yellow – Natural Greens

PY129 – Transparent – Non-granulating

Chartreuse Yellow is a fascinating color that brings a touch of freshness to any composition. This bright yellow-green, often associated with vegetal and natural hues, is a must-have for capturing the richness of foliage, grasses, or lush green landscapes.ential greenish yellow. It allows a wide range of rich and surprising mixes.

Nickel Yellow – A Luminous Hue

PY53 – Semi-transparent – Non-granulating

Nickel Yellow is a bright and clear yellow. With a soft, slightly greenish tint, this color stands out for its ability to brighten your work.soft, slightly pastel yellow.

Yellow Ochre - A Trusted Pigment

PY42 - Opaque - Non-Granulating

Yellow ochre, a luminous pigment, brings warmth and softness to compositions while offering excellent lightfastness and exceptional versatility for subtle blends.utiful yellow, earthy and bright. Very useful on the palette.

Raw Umber - An Authentic Color

PBr7 - Semi-transparent - Granulating

Raw Umber is ideal for creating soft shadows and earthy tones while adding depth and harmony.with a green shade that characterizes real natural shade earth. I draw attention to the fact that this gray earth is naturally very little coloring.

Van Dijck Brown  - A Rich Color

PR101 + PBk6 - Opaque - Non-granulating

Van Dijck brown is a rich and deep pigment, perfect for creating subtle shadows and warm atmospheres, while offering great lightfastness and excellent coverage.

Sepia – The Softness of a Warm Brown

PBK11 + PBK6 + PR101 + PY42 - Opaque - Non-granulating

Sepia, with its warm and deep tones, is ideal for creating shadows or earthy hues, realistic portraits, monochromes, and natural landscapes.tiful very dark brown, almost black. Very useful for contrasts. Can be obtained on the palette by mixing smoke black with mauve iron oxide and ocher or natural Sienna.

Dark and warm bBurnt Umber Watercolor - An Essential Hue for Your Artistic Palette

Burnt umber offers deep, warm tones, perfect for creating subtle shadows, natural textures, and rich, warm atmospheres.rown. Interesting color for dark your shades.

Burnt Sienna in watercolor is a warm, earthy pigment that adds depth, richness, and versatility to any composition, perfect for shadows, landscapes, and natural tones.