Ancien yellow

PW4 + PY35 + PO20

A pinkish yellow, very close to Naples Yellow but without its toxicity. It is composed of zinc white and cadmium yellow.
Ideal for rendering skin tones.
Its zinc white content, like that of Old White, makes it slow-drying, allowing for extended work on a canvas over several weeks.

Perfect for skin tones.

Cadmium Lemon Yellow

PY35 – Opaque

It has excellent covering power and absolute permanence over time. Our cadmium lemon yellow is a hue very close to primary yellow.

The precise selection of our cadmiums allows for a continuous chromatic range, from the lightest yellow to the deepest red, using only six tones.
Cadmium pigments blend perfectly with one another, without any loss of intensity.

It offers exceptional and unmatched covering power and brilliance.ghly luminous yellow is an ultra-pure colour with a touch of green. This cadmium yellow lemon is a yellow much akin to primary yellow. 

Hansa Yellow

PY154 – Transparent

PY154 is a modern organic pigment, bright and warm, with a slight orange undertone. Valued for its purity of tone, transparency, and excellent lightfastness, it is an ideal alternative to more opaque cadmium yellows.

Versatile and easy to use, it works beautifully in glazes and subtle blends. It creates vibrant greens when mixed with blues, and luminous oranges with reds. Its brilliance and chromatic finesse make it a top choice for artists seeking an intense, stable, and non-toxic yellow. luminous transparent yellow with the same hue of the cadmium yellow light. Mixed with phtalo green,phtalo blue or indantrene blue, we obtain a interesant range of Transparent green. Mixed with titanium white the result is a very luminous and Opaque light yellow.

Cadmium Yellow Light

PY35 – Opaque

This is a brilliant yellow, very bright and of exceptional tonal purity.
It has excellent covering power and absolute permanence over time.
The precise selection of our cadmium pigments allows for a continuous chromatic range—from the lightest yellow to the deepest red—using only six tones.
Cadmiums blend perfectly with each other, without any dulling of their tones.

It's a good glazinA beautiful orange-yellow, ideal for glazing.g colour with a beautifull orangey yellow hue.

Cadmium Yellow Deep

PY35 – Opaque

Cadmium yellow deep is a rich, warm, and intense pigment with a slight orange undertone. It stands out for its high covering power, excellent lightfastness, and strong chromatic depth.

Ideal for warm highlights and sunlit landscapes, it blends beautifully with reds, ochres, or blues to create vibrant and balanced mixes.

Its dense, creamy texture makes it a top choice for both impasto and thin layers. A must-have for artists seeking a powerful, lasting, and expressive yellow.

Isaro Mauve

PV19 – Transparent

Isaro Mauve is a quinacridone PV19 pigment, appreciated for its transparency, purity, and subtle chromatic nuances. This modern organic pigment offers a rich mauve tone, situated between pink and violet.

Highly versatile, it is well suited for glazing as well as refined mixtures. When combined with deep blues, its violet character is enhanced; mixed with white, it reveals soft, luminous lavender tones. It is perfect for depicting flowers, colorful shadows, or late-afternoon atmospheres.

It offers excellent lightfastness and strong tinting strength.ep violet with a touch of red

Dioxazine mauve

PV23 – Transparent

Dioxazine mauve has a powerful color, highly valued for its intensity and rich chromatic depth. This cool, dark, and saturated violet with bluish undertones offers excellent transparency while maintaining a very high tinting strength.

When mixed, it produces a wide range of violets, colored greys, or deep chromatic blacks, especially when combined with reds or blues. It also excels in glazing, where its transparency and depth bring a unique dimension to layered applications.

Highly lightfast, PV23 is a modern synthetic organic pigment that has earned a place on the artist’s palette for its versatility, strength, and distinctive beauty.

Bayeux Violet Hue

PR122 + PR179 + PR19 – Transparent

Bayeux Violet Hue is a shade similar to the original Bayeux violet. It is a deep color, somewhere between a bluish violet and a soft, subdued purple. Inspired by the rich tones of antique embroidery, it evokes a sense of nobility. Transparent and high in tinting strength, it is well-suited to both subtle glazing and vibrant modeling.

Cobalt Violet

PV14 – Semi-Opaque

This genuine dark cobalt violet is a rare and precious mineral pigment, valued for its exceptional lightfastness and subtle chromatic character. A bluish violet with gentle nuances, it offers soft opacity and a smooth, buttery texture—ideal for nuanced blends, colored shadows, and muted atmospheres.

Made through a complex process using cobalt phosphate, this pigment requires time-consuming production, costly raw materials, and expert craftsmanship. Its rarity, combined with its unique artistic qualities, justifies its high price. Inalterable and refined, PV14 is a pigment of choice for discerning artists seeking an authentic and timeless color.

Ultramarine Violet - A Delicate Violet

PV15 - Semi-transparent - Granular

Ultramarine violet, with its soft hue, is perfect for creating delicate and textured nuances. It offers excellent lightfastness.iful violet with a beautiful purity of tone. It belongs to the overseas family. Its particularity is to naturally granulate.

Dark Isaro Mauve - A Remarkable Dioxazine Violet

PV23 - Transparent - Non-granulating

Dark Isaro Mauve is an intense, powerful, and vibrant pigment, offering a rich and deep hue, perfect for creating subtle shadows and a wide range of mauve tones.

Very beautiful light mauve Isaro Mauve - An Intense Purple

PV19 - Transparent - Non-granulating

Isaro Mauve is a versatile pigment that can be used alone or in mixes to add interesting and lasting hues, while offering a rich and luminous palette.mono pigmentary and therefore a beautiful purity of tone. It can be lightened with Isaro pink and darkens with ultramarine blue or phthalo blue for example.

Magenta - A Primary Hue

PV19 - Transparent - Non-granulating

Magenta in watercolor, vibrant and transparent, is an essential color for creating luminous mixes, bright pinks, and deep purples, while offering excellent permanence.lor. It is a bright pink, which forms with the yellows beautiful oranges and with the blue magnificent mauves.

Iron Oxide purple - A Lesser-Known Mineral Hue

PR101 - Opaque - Non-Granulating

Iron Oxide purple is an earthy violet shade with dark undertones.
This versatile pigment is well-suited to both abstract compositions and naturalistic scenes.

Indian Yellow - A Historic Hue

PY154 + PO73 - Transparent - Non-granulating

Indian Yellow, with its warm and luminous tone, is a transparent and versatile color, perfect for adding brilliance and depth to your watercolor paintings.arm and bright yellow, very beautiful in wash for example.

Isaro yellow deep– A Warm Hue

PY154 + PO73 - Opaque - Non-granulating

Isaro Dark Yellow is a bright, orange-tinged yellow. This warm yellow is perfect for capturing the richness of sunsets and autumn foliage.an add light Isaro yellow to a range of Indian yellow.

Cadmium Yellow Deep: The Golden Glow

PY35 - Opaque - Non-granulating

Cadmium yellow deep is a vibrant and intense color, offering deep golden hues.

Its more marked opacity than organic yellows (Isaro Yellow light, dark and Indian) can hold back its use, however well mastered it is quite magnificent. 

Saffron Yellow – The Golden Glow

PY110 - Transparent - Non-granulating

Saffron Yellow is a bright and warm hue, offering an intense and brilliant golden color, perfect for adding a touch of light and warmth to your artwork. With a beautiful transparency, this yellow allows you to obtain a very beautiful range of greens with Prussian blue and Phthalo blue for example. With yellow phthalo green (PG36) it allows you to easily compose the shades "bladder green" and "Hoocker green"

Cadmium Yellow Light: A Vibrant Hue

PY35 – Opaque – Non-Granulating

Cadmium yellow light, bright and intense, is a brilliant pigment with exceptional permanence, perfect for bringing light to your watercolors with vibrant mixes. purity of tone.

Cadmium Yellow Lemon: Pure Brightness

PY35 – Opaque – Non-Granulating

Cadmium yellow lemon is a vibrant and intense pigment, ideal for creating luminous mixes.
It offers excellent opacity and outstanding lightfastness.

Its slightly cool tone makes it the perfect choice for capturing sunlight and light foliage.llow with underlying shade of green, very bright and bright yellow.

Isaro yellow light - Primary Yellow

PY154 - Transparent - Non-granulating

Isaro yellow light is a delicately luminous hue, perfect for capturing the softness of spring light, vibrant flowers, and sunlit skies, all while offering unparalleled transparency and subtlety.

A must-have on your palette. Darker shade than lemon cadmium yellow. Luminous and bright yellow. Useful as primary yellow. It is one of the essential colors on the palette of a watercolorist.

Chartreuse Yellow – Natural Greens

PY129 – Transparent – Non-granulating

Chartreuse Yellow is a fascinating color that brings a touch of freshness to any composition. This bright yellow-green, often associated with vegetal and natural hues, is a must-have for capturing the richness of foliage, grasses, or lush green landscapes.ential greenish yellow. It allows a wide range of rich and surprising mixes.

Nickel Yellow – A Luminous Hue

PY53 – Semi-transparent – Non-granulating

Nickel Yellow is a bright and clear yellow. With a soft, slightly greenish tint, this color stands out for its ability to brighten your work.soft, slightly pastel yellow.

Yellow Ochre - A Trusted Pigment

PY42 - Opaque - Non-Granulating

Yellow ochre, a luminous pigment, brings warmth and softness to compositions while offering excellent lightfastness and exceptional versatility for subtle blends.utiful yellow, earthy and bright. Very useful on the palette.