Pinkish Beige – Subtlety and Radiance of Skin

PW6 + PR264 + PY42 – Opaque – Non-granulating

Pinkish beige is a delicate and subtle hue that combines the warmth of beige with a hint of pink, offering a soft and natural color. Ideal for skin tones in watercolor, it allows for finely rendered variations, from fair complexions to deeper shadows, by blending it with other pigments.

Titanium White

PW6 – Opaque

Titanium white is today the most widely used white in oil painting. With exceptional opacity and very high covering power, it provides a pure, cool, and brilliant white. It is ideal for creating luminous mixtures, sharp highlights, or strong light effects.

Its creamy texture allows for easy application in both impasto and thin layers. Lightfast, stable over time, and non-toxic, titanium white is an essential part of the modern palette. However, due to its strength, it can overpower delicate colors; it is often blended with zinc white for more subtle handling. very pure cool soft white. It's highly regarded by artists.

Powdery Beige – The Elegance of Softness

PW6 + PR122 + PY42 – Opaque – Non-granulating

Powdery Beige is a delicate and subtle shade, perfect for adding softness and luminosity to watercolor works. Crafted from a refined blend of pigments, it offers a warm, slightly rosy hue, making it ideal for skin tones.

In watercolor, this shade is particularly valuable for portrait painting, allowing for smooth and refined skin tone transitions. Combined with a touch of Burnt Sienna or Isaro Rose, it enhances complexions with natural depth and delicacy.

Zinc White

PW4 – Semi-transparent

Zinc white is a mineral pigment known for its transparency, delicacy, and subtle coolness. Less opaque than titanium white, it allows for gentle layering and luminous blends without overpowering other colors. It is ideal for glazing, soft light effects, and delicate skin tones.

Very slow-drying, it accepts the addition of drying agents, but also allows for extended working time on a canvas over several weeks. withe. It's excellent for mixtures and glazes

Shaded Beige – For Softly Shadowing Light Skin Tones

PW6 + PY42 + PR264 + PBk31 – Opaque – Non-granulating

Shaded Beige is a soft and nuanced color, striking a perfect balance between warmth and neutrality. Composed of earthy pigments, it offers great versatility in watercolor, especially for painting skin tones and delicate shadows.

Ancient White

PW4 + PY35 + PB29 – Opaque

Antique White is a soft, warm cream white created through a subtle blend of zinc white, cadmium yellow, and a touch of ultramarine blue. Its slightly ivory tone evokes the patinated whites of old master paintings. Less bright than a pure white, it allows for more natural blends—especially for skin tones, soft lighting, and warm atmospheres.

Coral Rose – The Harmony of Floral Compositions

PW6 + P073 + PV19 – Opaque – Non-granulating

Coral Rose is a vibrant and warm shade that lies between pink and orange, evoking the glow of sunsets and the delicacy of tropical flowers. This luminous pigment brings a touch of freshness and energy to artworks while remaining soft and harmonious.ry discreet and interesting pink especially to bring softness to certain floral compositions.

Ancien yellow

PW4 + PY35 + PO20

A pinkish yellow, very close to Naples Yellow but without its toxicity. It is composed of zinc white and cadmium yellow.
Ideal for rendering skin tones.
Its zinc white content, like that of Old White, makes it slow-drying, allowing for extended work on a canvas over several weeks.

Perfect for skin tones.

Cadmium Lemon Yellow

PY35 – Opaque

It has excellent covering power and absolute permanence over time. Our cadmium lemon yellow is a hue very close to primary yellow.

The precise selection of our cadmiums allows for a continuous chromatic range, from the lightest yellow to the deepest red, using only six tones.
Cadmium pigments blend perfectly with one another, without any loss of intensity.

It offers exceptional and unmatched covering power and brilliance.ghly luminous yellow is an ultra-pure colour with a touch of green. This cadmium yellow lemon is a yellow much akin to primary yellow. 

Beverly Pink – An Exceptional Pearlescent Pink

PR122 + Pearlescent – Semi-transparent – Non-granulating

Beverly rose is a luminous and refined shade that combines the delicacy of pink with a subtle pearlescent glow. Its transparent texture and slight iridescence make it an ideal choice for adding softness and brilliance to floral compositions, twilight skies, or pearly effects in portraits.

Austral Pink – A Radiant Twilight Glow

PR122 + PB29 + Pearlescent – Transparent – Granulating

Austral rose is a captivating shade that captures light beautifully with its pearlescent effect. Its luminous brilliance and subtle pink-mauve hue make it an ideal color for adding brightness and depth to unique compositions. In watercolor, this vibrant pink stands out for its ability to create original blends.

Hansa Yellow

PY154 – Transparent

PY154 is a modern organic pigment, bright and warm, with a slight orange undertone. Valued for its purity of tone, transparency, and excellent lightfastness, it is an ideal alternative to more opaque cadmium yellows.

Versatile and easy to use, it works beautifully in glazes and subtle blends. It creates vibrant greens when mixed with blues, and luminous oranges with reds. Its brilliance and chromatic finesse make it a top choice for artists seeking an intense, stable, and non-toxic yellow. luminous transparent yellow with the same hue of the cadmium yellow light. Mixed with phtalo green,phtalo blue or indantrene blue, we obtain a interesant range of Transparent green. Mixed with titanium white the result is a very luminous and Opaque light yellow.

Cadmium Yellow Light

PY35 – Opaque

This is a brilliant yellow, very bright and of exceptional tonal purity.
It has excellent covering power and absolute permanence over time.
The precise selection of our cadmium pigments allows for a continuous chromatic range—from the lightest yellow to the deepest red—using only six tones.
Cadmiums blend perfectly with each other, without any dulling of their tones.

Powder Pink – Softness and Elegance

PR122 + PW6:1 – Opaque – Non-granulating

Powder Pink is a delicate and refined shade, perfect for adding a touch of softness and subtlety to watercolor compositions. Inspired by the pastel hues of flower petals or the velvety feel of antique fabric, this slightly muted pink is ideal for romantic atmospheres and gentle light effects.

It's a good glazinA beautiful orange-yellow, ideal for glazing.g colour with a beautifull orangey yellow hue.

 Isaro Pink – Dynamism and Brightness

PR122 - Transparent - Non-granulating

Isaro Pink is a vibrant and essential shade, perfect for bringing freshness and delicacy to watercolor compositions. This pigment captivates with its transparency and beautiful luminosity, allowing for harmonious gradients and captivating light effects.mixtures and in particular to compose, with the blues, a large number of mauves.

Cadmium Yellow Deep

PY35 – Opaque

Cadmium yellow deep is a rich, warm, and intense pigment with a slight orange undertone. It stands out for its high covering power, excellent lightfastness, and strong chromatic depth.

Ideal for warm highlights and sunlit landscapes, it blends beautifully with reds, ochres, or blues to create vibrant and balanced mixes.

Its dense, creamy texture makes it a top choice for both impasto and thin layers. A must-have for artists seeking a powerful, lasting, and expressive yellow.

Pearly rose light – A Radiant Softness

PR101 + Perlescent – Semi-transparent – Non-granulating

Pearly rose light is a subtle and delicate hue that blends the warmth of pink with a refined pearlescent shine. Its pearly effect adds a touch of light and softness, making it ideal for floral compositions, transparent effects, or skies with delicate reflections.

Orange Tangerine

PO36 – Transparent

Orange Tangerine is a benzimidazolone pigment, an intense, vivid, and luminous synthetic organic pigment. It offers a warm, vibrant hue that sits between pure orange and vermilion red. Its excellent lightfastness and high saturation make it an ideal choice for bold and radiant compositions.

Perfect for evoking autumn foliage, late afternoon light, or luminous highlights within a painting, it blends beautifully with reds, yellows, and certain blues to create rich, nuanced tones.

Its adjustable transparency and strong chromatic intensity make it a favorite among artists seeking a modern, powerful, and non-toxic orange.azingIt is a beautiful orange, useful for glazing.

It gains opacity when mixed with Titanium White. 

Rose d’Outremer – Softness Under the Brush

PR259 - Semi-transparent - Granular

The Rose d'Outremer is a very soft and subtly textured hue that captivates with its gentleness. This pigment, a rose with slightly violet undertones, offers a rich chromatic quality, making it ideal for floral compositions.k especially to bring softness to certain floral compositions.

Cadmium Orange

PO20 – Opaque

This is a warm, vibrant shade with beautiful tonal purity. Thanks to its rich pigmentation and exceptional brightness, this color brings depth and energy to your palette. Ideal for glazing or flat applications, this orange offers perfect opacity and outstanding long-term stability.

When mixed with titanium white, it reveals soft, warm nuances while maintaining its intensity.  This orange is very bright with a vibrant and very pure undertone.

Pearly Rose deep – Pearlescent Elegance

PR170 + Perlescent – Semi-transparent – Non-granular

The Dark Pearlescent Rose is a sophisticated hue that combines the intensity of a deep rose with a subtle shine thanks to its pearlescent finish. Its luminous effect adds a precious touch to floral compositions, twilight skies, or refined details.

Gold – For Precious Details

Perlescent – Transparent – Non-granular

Gold is a luxurious hue that captures light and adds a touch of refinement to compositions. Its metallic shine and subtle brilliance make it an ideal pigment to illuminate intricate details.olor, to be used for certain highlights.

Scarlett Red

PR255 – Semi-opaque

A beautiful, bright red. When blended with white, it reveals a pinker undertone compared to Light Cadmium Red.ous red. More pinkish than the red cadmium light

Light Cadmium Red 

PR108 - Opaque

A symbol of passion and power, Light Cadmium Red is an essential shade for discerning artists. Its vivid, warm, and saturated hue brings a  unmatched intensity to the canvas. With exceptional pigment concentration, it offers flawless coverage and outstanding lightfastness.

This brilliant red reveals its full elegance in gradients, blends, and impasto techniques, always preserving its chromatic strength. 

Glimmer Green – A Sparkling Grayish Green

PB29 + PG7 + PR170 + Perlescent – Transparent – Non-granular

Glimmer Green is a vibrant and luminous hue that captures light through its subtle pearlescent effect. Inspired by the iridescent reflections of nature, this radiant green adds a touch of freshness and dynamism to watercolor compositions.

Pyrrole red deep

PR264 – Transparent

Dark Pyrrole Red embodies both strength and subtlety in an intense red with deep, velvety undertones. Its rich, slightly crimson hue offers a contemporary alternative to traditional reds, with remarkable intensity and excellent lightfastness.

With a strong tinting strength, this red stands out for its transparency—perfect for vibrant glazing and nuanced layering.

Tropical Dream – A Colorful Escape

PB29 + PG7 + Perlescent – Transparent – Non-granular

Tropical Dream is a pearlescent and exotic hue that evokes lush landscapes and the vibrant sunsets of distant islands. With its touch of exoticism and versatility, Tropical Dream brings a radiant energy to your watercolor compositions. 

Cadmium red deep

PR108 - Opaque

Dark cadmium red is a rich, deep, and warm color, highly valued in oil painting. Opaque and intense, it brings strength and depth to compositions while remaining lightfast. Ideal for warm shadows, skin tones, or powerful reds, it pairs well with earthy tones or complementary greens. 

Mindy Green – A Hint of Gold

PG7 + PY110 + Perlescent – Transparent – Non-granular

Mindy Green is a unique hue that combines the freshness of green with a subtle touch of golden light. Its slightly velvety character makes it an ideal color for spring landscapes, delicate foliage, or original backgrounds.

Turquoise Green – Aquatic Escape

PG7 + PG15:1 – Transparent – Non-granular

Turquoise Green is a vibrant and luminous hue, evoking crystal-clear waters and exotic landscapes. Its balance between blue and green makes it a perfect pigment for depicting tropical lagoons, vibrant foliage, or dawn skies with subtle nuances.een, this turquoise is nuanced at will with blue or green.

Perylene red

PR179 – Transparent

Perylene red is a modern organic pigment, valued for its depth, transparency, and strong chromatic intensity. A deep red with ruby or garnet undertones, it offers a subtle alternative to more opaque cadmium reds.

Its transparency makes it an excellent choice for glazing, colored shadows, or layering effects, while maintaining excellent lightfastness. It blends harmoniously with blues, browns, or lighter reds to create subtle and refined tones.d brown, very beautifull for glazings.

Isaro green light – A Touch of Freshness

PG36 + PY35 + PY42 – Semi-transparent – Non-granular

Isaro green light is a bright and radiant hue that evokes the freshness of spring and the softness of young foliage. Its vibrant intensity makes it an ideal pigment to bring liveliness to landscape and floral compositions. 

TIsaro rose

PR122 – Transparent

Isaro Pink, made from the quinacridone pigment PR122, is a luminous, intense, and transparent hue, highly valued for its purity and refined chromatic subtlety. A vivid pink with slightly violet undertones, it offers excellent lightfastness and remarkable long-term stability.

Thanks to its transparency and brilliance, this pink is ideal for glazing and subtle color blending. When combined with blues such as cobalt blue, ultramarine, or phthalo blue, it produces a beautiful range of mauves and violets—either vibrant or delicate—perfect for rendering flowers or colorful shadows.

Versatile and elegant, Isaro Pink PR122 is an essential choice for artists seeking poetic and vibrant tones.

Isaro Mauve

PV19 – Transparent

Isaro Mauve is a quinacridone PV19 pigment, appreciated for its transparency, purity, and subtle chromatic nuances. This modern organic pigment offers a rich mauve tone, situated between pink and violet.

Highly versatile, it is well suited for glazing as well as refined mixtures. When combined with deep blues, its violet character is enhanced; mixed with white, it reveals soft, luminous lavender tones. It is perfect for depicting flowers, colorful shadows, or late-afternoon atmospheres.

It offers excellent lightfastness and strong tinting strength.ep violet with a touch of red