This deep and intense reddish brown has a high drying power. So, is excellent for making preliminary sketches with a very diluated first coat.

This yellowish-brown is darker than yellow ochre but has the same undertone. This natural earth produces outstanding transparency effect.

This natural iron oxide is a fine rather cold brown with a greenish undertone.

This deep and intense reddish brown has a high drying power. So, is excellent for making preliminary sketches with a very diluated first coat.

This vivid and strong bluish greens a good staple green to produce a large range of greens.

This earthy green is very Opaque. 

Mixed with yellows or earths (ochre, umber, sienna), it produces a usefull range of greens for the landscapists

It's a deep brownish green.

It's a beautifull green useful in producing glazes when diluted.

This colour is more Transparent and less dull than chromium oxide green. Emerald green produces splendidly luminous green when mixed with cadmium yellow. Landscapists and some portraitists prefer it because his undertone is less vivid than the phtalo green.

This Transparent iron oxyde with a orangey undertone is excellent for producing luminous and warm glazes.

A reddish brown more Opaque and intense than the burnt umber

A intense cold brown with a violet shade.

A beautifull warm brown with a yellowish undertone

A deep cool blue black.

It's a strong neutral black.

Pinkish yellow, very close to Naples yellow.  Perfect for skin tones.

A warm deep black. Mixed with yellow ochre we obtain a warm black and mixed with ultramarine blue it produces a cold black.