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Magnificent red which turns brown. More transparent than burnt Sienna and less grainy, it can perfectly replace it for watercolorists who prefer a more transparent and reddish tone.
Very beautiful dark red tending to burgundy.
This very beautiful red whose shade can make one think of madder lacquer does not have the lack of stability over time.
With a little burnt umber, it is perfectly darkened and you easily get a crimson alizarin shade.
Very beautiful red, lively and bright with an underlying note colder than Scarlett red.
One of the flagship colors at Isaro. Very popular with watercolorists, it is one of the essentials on a palette.
This red has a great purity of tone. It draws very slightly on the yellow.
Earthy orange but nevertheless bright.
Bright orange. This color is monopigmentary which gives it a very beautiful purity of tone. Due to its greater transparency, pyrrole orange may be preferred.
Mono pigment orange which therefore does not result from a mixture of yellow and red which gives it a more excellent purity of tone.
Warm and bright yellow, very beautiful in wash for example.
You can add light Isaro yellow to a range of Indian yellow.
Magnificent yellow-orange very bright and a beautiful purity of tone.
Its more marked opacity than organic yellows (Isaro Yellow light, dark and Indian) can hold back its use, however well mastered it is quite magnificent. It is undeniably one of the colors in my range that appeals to the majority of watercolorists.
Warm yellow with a shade close to dark cadmium yellow. With a beautiful transparency, this yellow allows you to obtain a very beautiful range of greens with Prussian blue and Phthalo blue for example. With yellow phthalo green (PG36) it allows you to easily compose the shades "bladder green" and "Hoocker green"
Bright yellow with great purity of tone.
Magnificent pale yellow with underlying shade of green, very bright and bright yellow.
Pale yellow with a slightly darker shade than lemon cadmium yellow. Luminous and bright yellow. Useful as primary yellow. It is one of the essential colors on the palette of a watercolorist.
A very essential greenish yellow. It allows a wide range of rich and surprising mixes.
A very soft, slightly pastel yellow.
Very beautiful yellow, earthy and bright. Very useful on the palette.
Very beautiful brick red, with an underlying shade of orange-yellow.
Very good brick red tone, with an underlying pink shade. Despite its relative opacity, this well-mastered color is appreciated by watercolorists.
