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Azure Blue – The Freshness of the Skies
PB36 – Semi-transparent – Granulating
Azure blue is a luminous and soothing shade that evokes the vast summer skies and crystal-clear waters. This pigment, part of the cobalt blue family, is cherished for its subtly green undertone and gentle quality, making it an ideal choice for depicting aerial or marine landscapes.
Very bPhthalo Blue - A Luminous Blue
PB15:3 - Transparent - Non-Granulating
Phthalo Blue is particularly prized for seascapes and clear skies, where its transparency and depth truly shine. It can also be used in layering to enrich darkeautiful blue with a shade having an underlying green tone.
With phthalo green it forms very beautiful turquoise. With the yellows of the beautiful greens. With the ocher of the more muted greens and with the pink or the purple Isaro a beautiful range of mauves.
Ultramarine Blue - Between History and Modernity
PB29 - Semi-transparent - Granulating
Ultramarine Blue is a deep, rich hue, valued for its intense vibrancy and its ability to capture light, making it ideal for skies, oceans, and delicate shadows.Very useful for composing magnificent mauves, especially with quinacridones like Isaro pink for example. With black or burnt sienna, it makes it possible to obtain very beautiful Payne grays and with burnt umber to create a beautiful indigo.
Cobalt Blue - An Iconic Blue
PB28 - Semi-transparent - Granulating
Ideal for landscapes, Cobalt Blue excels in skies, calm waters, and distant mountains. Its granulating nature is perfect for textured effects and organic details.e. Bright and close to primary blue. We can define it as the most blue of blues because it does not draw on green (like Prussian blue) or red (like overseas).
Indigo Blue - A Historic Blue
PB29 + PBr7 + PB15 - Opaque - Moderately Granulating
With its granulating texture and natural depth, Indigo Blue is perfect for representing dramatic atmospheres, starry skies, or reflections on water. Its ability to layer in fine washes or be used opaquely makes it a favored choice for artists seeking variety in their compositions.
Prussian Blue - The First Modern Synthetic Pigment
PB27 - Transparent - Non-Granulating
Prussian Blue is an essential hue for watercolor artists. Rich in history, intensity, and versatility, it offers endless creative possibilities, whether for landscapes, portraits, or abstract works.
Indanthrene Blue - Intense Depth
PB60 - Transparent - Non-Granulating
This blue is perfect for artworks requiring dark and powerful tones, such as seascapes, stormy skies, or expressive portraits. It also excels in layering to create depth and subtle effects.
Very beautiful light blue, whiCerulean Blue - The Blue of Skies
PB35 - Semi-transparent - Granulating
Cerulean blue is a fresh and slightly opaque hue, cherished for its soft and natural tones that evoke clear skies and serene seascapes.ch pulls slightly towards green. Particularly suitable for working the sky.
Satine Blue - An Original Blend
PB29 + PBr7 + PV16 - Semi-transparent - Granulating
Satine Blue is a refined color that captivates with its softness and subtle glow. Made from carefully selected pigments, this blue harmonizes beautifully with both warm and cool tones. For subtle shades, mix it with Isaro Rose or Magenta to create delicate purples or lavender hues. You can also try combining it with Payne's Grey for nocturnal skies or aquatic shadows.
I was inspired by the surprising reflections of a semi-precious stone: apatite.
This blue is grainy and iridescent. It is part of the 2022 Happy Precious Year collection.
Un bleu à la teinte unique et légèrement iridescent. Il ravira les aquarellistes qui apprécient les effets et la granulation.
Gorgeous unique shade of gray blue.
Very beautiful light blue, which pulls slightly towards green. Particularly suitable for working the sky.
It is a dark blue, which corresponds to a dark reddish blue. It is ideal for nuancing cool colors like violets and blues by giving them more depth. Also useful for forming greens, especially with chartreuse yellow.
Dark blue with an underlying green hue. This blue is very useful for creating greens, it is actually the blue of greens.
Real cobalt blue with a great purity of tone. Bright and close to primary blue. We can define it as the most blue of blues because it does not draw on green (like Prussian blue) or red (like overseas).
Magnificent blue with an underlying shade of mauve. Very useful for composing magnificent mauves, especially with quinacridones like Isaro pink for example.
With black or burnt sienna, it makes it possible to obtain very beautiful Payne grays and with burnt umber to create a beautiful indigo.
Very beautiful blue with a shade having an underlying green tone. Very bright and frank.
With phthalo green it forms very beautiful turquoise. With the yellows of the beautiful greens. With the ocher of the more muted greens and with the pink or the purple Isaro a beautiful range of mauves.
