Isaro Pink – Dynamism and Brightness

PR122 - Transparent - Non-granulating

Isaro Pink is a vibrant and essential shade, perfect for bringing freshness and delicacy to watercolor compositions. This pigment captivates with its transparency and beautiful luminosity, allowing for harmonious gradients and captivating light effects.mixtures and in particular to compose, with the blues, a large number of mauves.

Rose d’Outremer – Softness Under the Brush

PR259 - Semi-transparent - Granular

The Rose d'Outremer is a very soft and subtly textured hue that captivates with its gentleness. This pigment, a rose with slightly violet undertones, offers a rich chromatic quality, making it ideal for floral compositions.k especially to bring softness to certain floral compositions.

Gold – For Precious Details

Perlescent – Transparent – Non-granular

Gold is a luxurious hue that captures light and adds a touch of refinement to compositions. Its metallic shine and subtle brilliance make it an ideal pigment to illuminate intricate details.olor, to be used for certain highlights.

Phthalo Green – A Versatile Green

PG7 – Transparent – Non-granular

Phthalo Green is an essential pigment in watercolor, valued for its vibrant intensity, transparency, and exceptional staining power. This cool green with subtle bluish undertones offers remarkable depth, making it perfect for capturing the richness of lush foliage, tropical landscapes, and emerald waters.ed with phthalo blue, it gives a very nice range of turquoises. With the yellows to obtain a very wide range of greens. With the earths of earthy greens and with the burnt umber a dark green.

Chrome Oxide Green – A Mineral and Earthy Green

PG17 - Opaque - Non-granulating

Chromium  oxide green is a mineral pigment valued for its stability and subtle tone, making it ideal for landscapes and natural subjects. With a deep, slightly neutral green hue, it fits seamlessly into the palettes of watercolor artists seeking balanced and realistic shades.mono pigment.

Phthalo Green Yellow Shade – A Burst of Freshness

PG36 – Transparent – Non-granulating

Phthalo Green Yellow Shade is a vibrant and luminous hue, perfect for adding freshness and intensity to your compositions. With exceptional transparency and remarkable tinting strength, this pigment offers a wide range of shades, from brilliant greens to more natural tones when mixed.

Perylene Green - The Dark Elegance

PBk31 - Transparent - Non-granulating

Perylene green is a unique and versatile pigment that brings rich depth and subtle intensity to watercolor works. Originating from the organic pigment family, this dark, earthy green has an almost black hue with greenish undertones, making it ideal for wooded landscapes, deep shadows, and atmospheric scenes. Thanks to its composition, it offers excellent stability and remarkable permanence.

Azure Blue – The Freshness of the Skies

PB36 – Semi-transparent – Granulating

Azure blue is a luminous and soothing shade that evokes the vast summer skies and crystal-clear waters. This pigment, part of the cobalt blue family, is cherished for its subtly green undertone and gentle quality, making it an ideal choice for depicting aerial or marine landscapes.

Caribbean Blue - Tropical Radiance

PB28 - Semi-Transparent - Granulating

Caribbean Blue is a vibrant hue that captures the brilliant light of tropical lagoons and crystal-clear waters. With its fresh and turquoise tone, this pigment provides luminous intensity, perfect for expressing the energy of marine landscapes, radiant skies, or tropical scenes.

This versatile blue harmonizes beautifully with Isaro Light Yellow to create vivid, striking greens. Paired with reds or pinks, it produces soft and subtle purples, ideal for floral or atmospheric compositions.

Very bPhthalo Blue - A Luminous Blue

PB15:3 - Transparent - Non-Granulating

Phthalo Blue is particularly prized for seascapes and clear skies, where its transparency and depth truly shine. It can also be used in layering to enrich darkeautiful blue with a shade having an underlying green tone.

With phthalo green it forms very beautiful turquoise. With the yellows of the beautiful greens. With the ocher of the more muted greens and with the pink or the purple Isaro a beautiful range of mauves.

Ultramarine Blue - Between History and Modernity

PB29 - Semi-transparent - Granulating

Ultramarine Blue is a deep, rich hue, valued for its intense vibrancy and its ability to capture light, making it ideal for skies, oceans, and delicate shadows.Very useful for composing magnificent mauves, especially with quinacridones like Isaro pink for example. With black or burnt sienna, it makes it possible to obtain very beautiful Payne grays and with burnt umber to create a beautiful indigo.

Very beautiful earth turning red. This color is, in my opinion, essential on the palette as it is rich in mixture. With blues, for example, burnt Sienna is a nice range of grays. With the reds, she creates "brick red" colors.

Cobalt Blue - An Iconic Blue

PB28 - Semi-transparent - Granulating

Ideal for landscapes, Cobalt Blue excels in skies, calm waters, and distant mountains. Its granulating nature is perfect for textured effects and organic details.e. Bright and close to primary blue. We can define it as the most blue of blues because it does not draw on green (like Prussian blue) or red (like overseas).

Prussian Blue - The First Modern Synthetic Pigment

PB27 - Transparent - Non-Granulating

Prussian Blue is an essential hue for watercolor artists. Rich in history, intensity, and versatility, it offers endless creative possibilities, whether for landscapes, portraits, or abstract works.

Indanthrene Blue - Intense Depth

PB60 - Transparent - Non-Granulating

This blue is perfect for artworks requiring dark and powerful tones, such as seascapes, stormy skies, or expressive portraits. It also excels in layering to create depth and subtle effects.

Very beautiful yellow, earthy and bright. Very useful on the palette.

Very beautiful light blue, whiCerulean Blue - The Blue of Skies

PB35 - Semi-transparent - Granulating

Cerulean blue is a fresh and slightly opaque hue, cherished for its soft and natural tones that evoke clear skies and serene seascapes.ch pulls slightly towards green. Particularly suitable for working the sky.

A very essential greenish yellow. It allows a wide range of rich and surprising mixes.

Pale yellow with a slightly darker shade than lemon cadmium yellow. Luminous and bright yellow. Useful as primary yellow. It is one of the essential colors on the palette of a watercolorist.

Magnificent pale yellow with underlying shade of green, very bright and bright yellow.

Warm yellow with a shade close to dark cadmium yellow. With a beautiful transparency, this yellow allows you to obtain a very beautiful range of greens with Prussian blue and Phthalo blue for example. With yellow phthalo green (PG36) it allows you to easily compose the shades "bladder green" and "Hoocker green"

Mono pigment orange which therefore does not result from a mixture of yellow and red which gives it a more excellent purity of tone.

Magnificent red which turns brown. More transparent than burnt Sienna and less grainy, it can perfectly replace it for watercolorists who prefer a more transparent and reddish tone.

One of the flagship colors at Isaro. Very popular with watercolorists, it is one of the essentials on a palette.

Very beautiful red, lively and bright with an underlying note colder than Scarlett red.

This very beautiful red whose shade can make one think of madder lacquer does not have the lack of stability over time.

With a little burnt umber, it is perfectly darkened and you easily get a crimson alizarin shade.

Perylene Violet - A Dense and Dark Purple

PV29 - Transparent - Non-granulating

Due to its richness and permanence, perylene violet is an excellent choice for artists working on portraits, landscapes, or nocturnal scenes, where its depth and ability to remain stable over time are valuable assets.

This red is a very dark red. I find it magnificent in mixture with chartreuse yellow in particular because it forms magnificent autumn tones.

I find that its nuance makes one think of the "old crimson alizarines" of which it does not have the lack of stability.

Ultramarine Violet - A Delicate Violet

PV15 - Semi-transparent - Granular

Ultramarine violet, with its soft hue, is perfect for creating delicate and textured nuances. It offers excellent lightfastness.iful violet with a beautiful purity of tone. It belongs to the overseas family. Its particularity is to naturally granulate.

Transparent Mars Red - A Rust Effect

PR101 - Transparent - Non-granulating

Transparent Mars Red is a rich, earthy red, ideal for uniform, warm, and deep washes, while ensuring excellent permanence and great light stability.

This color can be used as the primary color. It is a bright pink, which forms with the yellows beautiful oranges and with the blue magnificent mauves.

Dark Isaro Mauve - A Remarkable Dioxazine Violet

PV23 - Transparent - Non-granulating

Dark Isaro Mauve is an intense, powerful, and vibrant pigment, offering a rich and deep hue, perfect for creating subtle shadows and a wide range of mauve tones.