Titanium White

PW6 – Opaque

Titanium white is today the most widely used white in oil painting. With exceptional opacity and very high covering power, it provides a pure, cool, and brilliant white. It is ideal for creating luminous mixtures, sharp highlights, or strong light effects.

Its creamy texture allows for easy application in both impasto and thin layers. Lightfast, stable over time, and non-toxic, titanium white is an essential part of the modern palette. However, due to its strength, it can overpower delicate colors; it is often blended with zinc white for more subtle handling. very pure cool soft white. It's highly regarded by artists.

Zinc White

PW4 – Semi-transparent

Zinc white is a mineral pigment known for its transparency, delicacy, and subtle coolness. Less opaque than titanium white, it allows for gentle layering and luminous blends without overpowering other colors. It is ideal for glazing, soft light effects, and delicate skin tones.

Very slow-drying, it accepts the addition of drying agents, but also allows for extended working time on a canvas over several weeks. withe. It's excellent for mixtures and glazes

Ancient White

PW4 + PY35 + PB29 – Opaque

Antique White is a soft, warm cream white created through a subtle blend of zinc white, cadmium yellow, and a touch of ultramarine blue. Its slightly ivory tone evokes the patinated whites of old master paintings. Less bright than a pure white, it allows for more natural blends—especially for skin tones, soft lighting, and warm atmospheres.

Ancien yellow

PW4 + PY35 + PO20

A pinkish yellow, very close to Naples Yellow but without its toxicity. It is composed of zinc white and cadmium yellow.
Ideal for rendering skin tones.
Its zinc white content, like that of Old White, makes it slow-drying, allowing for extended work on a canvas over several weeks.

Perfect for skin tones.

Cadmium Lemon Yellow

PY35 – Opaque

It has excellent covering power and absolute permanence over time. Our cadmium lemon yellow is a hue very close to primary yellow.

The precise selection of our cadmiums allows for a continuous chromatic range, from the lightest yellow to the deepest red, using only six tones.
Cadmium pigments blend perfectly with one another, without any loss of intensity.

It offers exceptional and unmatched covering power and brilliance.ghly luminous yellow is an ultra-pure colour with a touch of green. This cadmium yellow lemon is a yellow much akin to primary yellow. 

Hansa Yellow

PY154 – Transparent

PY154 is a modern organic pigment, bright and warm, with a slight orange undertone. Valued for its purity of tone, transparency, and excellent lightfastness, it is an ideal alternative to more opaque cadmium yellows.

Versatile and easy to use, it works beautifully in glazes and subtle blends. It creates vibrant greens when mixed with blues, and luminous oranges with reds. Its brilliance and chromatic finesse make it a top choice for artists seeking an intense, stable, and non-toxic yellow. luminous transparent yellow with the same hue of the cadmium yellow light. Mixed with phtalo green,phtalo blue or indantrene blue, we obtain a interesant range of Transparent green. Mixed with titanium white the result is a very luminous and Opaque light yellow.

Cadmium Yellow Light

PY35 – Opaque

This is a brilliant yellow, very bright and of exceptional tonal purity.
It has excellent covering power and absolute permanence over time.
The precise selection of our cadmium pigments allows for a continuous chromatic range—from the lightest yellow to the deepest red—using only six tones.
Cadmiums blend perfectly with each other, without any dulling of their tones.

It's a good glazinA beautiful orange-yellow, ideal for glazing.g colour with a beautifull orangey yellow hue.

Cadmium Yellow Deep

PY35 – Opaque

Cadmium yellow deep is a rich, warm, and intense pigment with a slight orange undertone. It stands out for its high covering power, excellent lightfastness, and strong chromatic depth.

Ideal for warm highlights and sunlit landscapes, it blends beautifully with reds, ochres, or blues to create vibrant and balanced mixes.

Its dense, creamy texture makes it a top choice for both impasto and thin layers. A must-have for artists seeking a powerful, lasting, and expressive yellow.

Orange Tangerine

PO36 – Transparent

Orange Tangerine is a benzimidazolone pigment, an intense, vivid, and luminous synthetic organic pigment. It offers a warm, vibrant hue that sits between pure orange and vermilion red. Its excellent lightfastness and high saturation make it an ideal choice for bold and radiant compositions.

Perfect for evoking autumn foliage, late afternoon light, or luminous highlights within a painting, it blends beautifully with reds, yellows, and certain blues to create rich, nuanced tones.

Its adjustable transparency and strong chromatic intensity make it a favorite among artists seeking a modern, powerful, and non-toxic orange.azingIt is a beautiful orange, useful for glazing.

It gains opacity when mixed with Titanium White. 

Cadmium Orange

PO20 – Opaque

This is a warm, vibrant shade with beautiful tonal purity. Thanks to its rich pigmentation and exceptional brightness, this color brings depth and energy to your palette. Ideal for glazing or flat applications, this orange offers perfect opacity and outstanding long-term stability.

When mixed with titanium white, it reveals soft, warm nuances while maintaining its intensity.  This orange is very bright with a vibrant and very pure undertone.

Scarlett Red

PR255 – Semi-opaque

A beautiful, bright red. When blended with white, it reveals a pinker undertone compared to Light Cadmium Red.ous red. More pinkish than the red cadmium light

Light Cadmium Red 

PR108 - Opaque

A symbol of passion and power, Light Cadmium Red is an essential shade for discerning artists. Its vivid, warm, and saturated hue brings a  unmatched intensity to the canvas. With exceptional pigment concentration, it offers flawless coverage and outstanding lightfastness.

This brilliant red reveals its full elegance in gradients, blends, and impasto techniques, always preserving its chromatic strength. 

Pyrrole red deep

PR264 – Transparent

Dark Pyrrole Red embodies both strength and subtlety in an intense red with deep, velvety undertones. Its rich, slightly crimson hue offers a contemporary alternative to traditional reds, with remarkable intensity and excellent lightfastness.

With a strong tinting strength, this red stands out for its transparency—perfect for vibrant glazing and nuanced layering.

Cadmium red deep

PR108 - Opaque

Dark cadmium red is a rich, deep, and warm color, highly valued in oil painting. Opaque and intense, it brings strength and depth to compositions while remaining lightfast. Ideal for warm shadows, skin tones, or powerful reds, it pairs well with earthy tones or complementary greens. 

Perylene red

PR179 – Transparent

Perylene red is a modern organic pigment, valued for its depth, transparency, and strong chromatic intensity. A deep red with ruby or garnet undertones, it offers a subtle alternative to more opaque cadmium reds.

Its transparency makes it an excellent choice for glazing, colored shadows, or layering effects, while maintaining excellent lightfastness. It blends harmoniously with blues, browns, or lighter reds to create subtle and refined tones.d brown, very beautifull for glazings.

TIsaro rose

PR122 – Transparent

Isaro Pink, made from the quinacridone pigment PR122, is a luminous, intense, and transparent hue, highly valued for its purity and refined chromatic subtlety. A vivid pink with slightly violet undertones, it offers excellent lightfastness and remarkable long-term stability.

Thanks to its transparency and brilliance, this pink is ideal for glazing and subtle color blending. When combined with blues such as cobalt blue, ultramarine, or phthalo blue, it produces a beautiful range of mauves and violets—either vibrant or delicate—perfect for rendering flowers or colorful shadows.

Versatile and elegant, Isaro Pink PR122 is an essential choice for artists seeking poetic and vibrant tones.

Isaro Mauve

PV19 – Transparent

Isaro Mauve is a quinacridone PV19 pigment, appreciated for its transparency, purity, and subtle chromatic nuances. This modern organic pigment offers a rich mauve tone, situated between pink and violet.

Highly versatile, it is well suited for glazing as well as refined mixtures. When combined with deep blues, its violet character is enhanced; mixed with white, it reveals soft, luminous lavender tones. It is perfect for depicting flowers, colorful shadows, or late-afternoon atmospheres.

It offers excellent lightfastness and strong tinting strength.ep violet with a touch of red

Dioxazine mauve

PV23 – Transparent

Dioxazine mauve has a powerful color, highly valued for its intensity and rich chromatic depth. This cool, dark, and saturated violet with bluish undertones offers excellent transparency while maintaining a very high tinting strength.

When mixed, it produces a wide range of violets, colored greys, or deep chromatic blacks, especially when combined with reds or blues. It also excels in glazing, where its transparency and depth bring a unique dimension to layered applications.

Highly lightfast, PV23 is a modern synthetic organic pigment that has earned a place on the artist’s palette for its versatility, strength, and distinctive beauty.

Bayeux Violet Hue

PR122 + PR179 + PR19 – Transparent

Bayeux Violet Hue is a shade similar to the original Bayeux violet. It is a deep color, somewhere between a bluish violet and a soft, subdued purple. Inspired by the rich tones of antique embroidery, it evokes a sense of nobility. Transparent and high in tinting strength, it is well-suited to both subtle glazing and vibrant modeling.

Cobalt Violet

PV14 – Semi-Opaque

This genuine dark cobalt violet is a rare and precious mineral pigment, valued for its exceptional lightfastness and subtle chromatic character. A bluish violet with gentle nuances, it offers soft opacity and a smooth, buttery texture—ideal for nuanced blends, colored shadows, and muted atmospheres.

Made through a complex process using cobalt phosphate, this pigment requires time-consuming production, costly raw materials, and expert craftsmanship. Its rarity, combined with its unique artistic qualities, justifies its high price. Inalterable and refined, PV14 is a pigment of choice for discerning artists seeking an authentic and timeless color.

Cobalt blue

PB28 - Semi opaque

It is the bluest of blues.
Genuine cobalt blue is a classic mineral pigment, known for its vibrant tone, valued for its softness, luminosity, and excellent lightfastness. With its pure blue hue and moderate opacity, it lends itself equally well to subtle mixes and delicate glazing. Ideal for skies, light shadows, and cool skin tones, it creates beautiful soft violets when combined with Isaro Pink or deep pyrrole red. A must-have on the palette for balanced and refined harmonies. bluest of the blues. This blue becomes even brighter when mixed with whites. Very useful for mixing.

Prussian Blue

PB27 – Transparent

Deep, intense, and slightly greenish, Prussian Blue is a historic pigment prized for its exceptional tinting strength and high transparency. It allows the creation of bluish blacks and a sumptuous range of greens. Its transparency makes it an excellent choice for glazing.
This blue is highly siccative and accelerates the drying time of the colors it is mixed with.

This blue is very drier-reactive, accelerating the drying power of the colours with which it is mixed. Tint power is extremely strong.

Cerulean Blue

PB35 – Semi-opaque

Cerulean blue is a cool, luminous mineral pigment with a slight greenish undertone. Highly valued for painting clear skies and bright atmospheres, it offers excellent lightfastness and moderate covering power. Stable and unobtrusive in mixtures, cerulean blue is a well-balanced hue, perfect for creating soft, airy harmonies.

Deep Blue

PW4 + PB28 + PB15 – Semi-opaque

Deep Blue is a harmonious blend of pigments, designed to capture the beauty of cobalt blue while offering a more accessible alternative.

Combining the softness of PB28 with the depth of PB15 and the brightness of zinc white (PW4), it results in a luminous, well-balanced blue. Ideal for skies and floral compositions, it blends easily to create subtle and refined shades.

Indigo Blue

PBr7 + PB29 + PB15:3 – Semi-opaque

Indigo blue is a deep hue with subtle greenish undertones, created from a blend of burnt umber, ultramarine blue, and phthalo blue. Dark and intense, it evokes stormy seas and dramatic skies. Ideal for seascapes, nocturnal landscapes, or colored shadows, it lends itself to rich and expressive mixtures. Its beautiful depth and semi-transparency make it a versatile, powerful, and evocative blue.

Ultramarine Blue

PB29 – Semi-opaque

Ultramarine blue is a deep and intense pigment with a slight violet undertone. It is ideal both for glazing and for creating subtle blends.
Its rich chromatic depth makes it an expressive and vibrant blue. When combined with Isaro Pink (PR122), it produces a beautiful range of luminous mauves, perfect for floral compositions.
A must-have on any palette, ultramarine blue combines depth, lightness, and intensity.

Indanthrene blue

PB60 – Transparent

Indanthrene blue is a deep blue with slightly violet undertones.

Highly valued for its dark richness and transparency, it is ideal for glazing, deep shadows, and nocturnal atmospheres. With excellent lightfastness, it blends beautifully with reds to create intense violets, or with greens for subtle cool tones. It is a powerful and essential blue for enriching a contemporary palette. touch of red.

Yellow Ochre

PY42 – Semi-opaque

Yellow ochre is a natural mineral pigment, soft and warm, appreciated for its stability and understated elegance.
With its earthy yellow tone, it’s perfect for landscapes, skin tones, backgrounds, and classical compositions.
It offers excellent lightfastness and balanced coverage, and can be used both pure and in mixtures.
Yellow ochre brings soft, natural tones to the palette—ideal for creating harmonious and timeless color ranges.

Red Ochre

PR102 – Semi-opaque

Red ochre is a natural, earthy pigment—warm and deep—used since Antiquity. With its nuanced orange-red hue, it brings strength, softness, and warmth to compositions. Covering, lightfast, and non-toxic, it is ideal for landscapes, warm skin tones, or rich backgrounds. It pairs beautifully with other ochres, greens, and blues to create natural, balanced harmonies. A true essential on any classical palette.

English Red

PR101 – Opaque

English Red is a synthetic iron oxide pigment, deep and warm, with a reddish-brown undertone. Highly opaque, stable, and lightfast, it offers a matte texture ideal for backgrounds, skin tones (when combined with Old Yellow), and warm-toned landscapes. Its earthy richness allows it to blend harmoniously with ochres, greens, or blues, bringing balance and subtlety to compositions.y burnt orange.

Burnt Sienna

PBr7 – Semi-opaque

Burnt sienna is a natural pigment with warm, deep tones, obtained by calcining raw sienna.

With its rich reddish-brown hue, it brings warmth, balance, and strength to compositions. Highly stable, non-toxic, and with good covering power, it is ideal for shadows, dark skin tones, landscapes, and warm backgrounds. It blends harmoniously with blues, greens, and ochres. A timeless classic on every painter’s palette.deep and intense reddish brown has a high drying power. So, is excellent for making preliminary sketches with a very diluated first coat.

Raw Sienna

PBr7 – Semi-opaque

Raw sienna is a classic mineral pigment with warm, soft, earthy tones. Its luminous yellowish-brown hue makes it ideal for skin tones, landscapes, and underpainting. Stable, non-toxic, and with good drying power, it dries quickly—perfect for sketches or compositional bases. It blends harmoniously with blues, greens, and reds to create natural, balanced mixes. A discreet yet essential staple on any painter’s palette. is darker than yellow ochre but has the same undertone.
This natural earth produces outstanding transparency effect.

Raw Umber

PBr7 – Semi-opaque

Raw umber is a traditional earthy pigment with a deep brown tone and a slight greenish cast. Very stable, non-toxic, and with good covering power, it is ideal for soft shadows, underpainting, landscapes, and textured effects.

Its low saturation allows for subtle color modulation without overpowering mixes. It blends easily with blues, reds, or ochres to create natural, balanced tones. An essential for creating calm, harmonious compositions.

Burnt Umber

PBr7 – Semi-opaque

Burnt umber is a natural pigment with deep brown tones enriched by a warm, slightly reddish hue. Highly covering, lightfast, and non-toxic, it is ideal for shadows, dark backgrounds, landscapes, and warm skin tones.
It has good drying power, making it an excellent choice for underpainting or quick sketching. It blends harmoniously with blues, greens, and reds to create natural and balanced mixtures.